Diamond Tooth Taxidermy

Exquisite Taxidermy Art and Design

© 2013 Diamond Tooth Taxidermy
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About Beth Beverly


I am a State and Federally licensed taxidermist who graduated from the Pocono Institute of Taxidermy in 2010 with high marks. I have a deep respect for this craft and those who strive to preserve it.

It is my pleasure to work on any trophy mount, be it a shoulder, life-size, rug, or fish.

I accept custom orders for fantasy mounts, wearables, and bridal hair pieces.

Sculptural mounts and hats are available for rental provided they are in stock at time of inquiry.

Contact me describing your wish and I will be delighted to make it so.


Diamond Tooth Taxidermy Blog:



MAKE IT A DATE: Chicken Mouning Demo with MOI at Diamond Tooth HQ!

On the heels of my delightful and engaging presentation at the Wagner Institute, I've started offering live demonstrations in the more intimate setting of my studio.  If you're curious about taxidermy and would like to see it up close and personal, executed by a licensed professional who is more than happy to answer any and every one of your questions- then VOILA! Both dates are on Saturdays, the first being June 29 and the second on July 13.
These workshops are hosted through a company called Side Tours; they assemble a calender of unconventional experiences for anyone enthusiastic about getting to know more about what Philly has to offer.  Directly from their site:

Discover the Bygone Art of Taxidermy at an Artist's Workshop

Witness an enthralling demonstration of preserving and mounting a chicken before trying out the process yourself.

Discover the Bygone Art of Taxidermy at an Artist's Workshop
  • Beth Beverly is an artist, fashion designer and licensed taxidermist
  • Watch as Beth demonstrates how to properly prepare and mount a chicken, then try it yourself
  • Push your boundaries and challenge your perceptions of death in a lively interactive environment
An important ritual in ancient Egypt and the Middle Ages, the real golden age of taxidermy came during the Victorian Era, when it was all the rage in interior design. The fashion eventually faded, but as with most fashions, it has recently experienced a big revival.
Beth Beverly is the proud proprietor of Diamond Tooth Taxidermy. An artist and fashion designer, Beth found her calling in the form of sculptural and wearable taxidermy. Since then, she has become a licensed taxidermist and was featured on AMC's Immortalized, a reality show about rogue taxidermists and their colorful creations.
Join Beth in her warehouse studio for an interactive demonstration in the art of preservation, as you watch her prepare and mount a recently deceased chicken, creating a wonderful (and wonderfully odd) piece of home decor in the process. After Beth shows you the ropes, you’re encouraged to take the wheel, tumbling the hide, blowing the specimen dry and preparing the animal for tanning. Afterwards, try on some of the incredible, wearable animal creations made by Beth and pose for pictures. Grab a feather on your way out, as a memento of your fashionable new skill.
Host photo credit: Ben Leuner for AMC
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Meet the Host

Beth Beverly - Taxidermy Artist

Beth Beverly

Taxidermy Artist
Beth Beverly's fascination with the lost art of taxidermy began soon after she started incorporating animal fibers into her work as a fashion designer. When she happened upon a dead bird on the city sidewalk, it felt only natural for Beth to pick it up. A decade later, Beth is a fully licensed...
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I hope you can make it!  And if you know anyone who may be interested, sign them up!

Pigeon Holed





Early in December I was contacted by Allison Feldish in regard to a show she was curating at Extra Extra Gallery in Philadelphia with International artist Abbas Akhavan, among others.  A brief description of the show, called "So Far, So Good", from the Extra Extra website:



Extra Extra presents SO FAR SO GOOD, an exhibition of work examining the elements of uncertainty brought forth by recent social, political and environmental upheaval worldwide. Addressing concerns from global economics and capitalism, to political violence and surveillance, the conversation between the artists is presented on a platform of poetic inquiry and investigation. Each was selected to acknowledge the feelings of uneasiness, absurdity, hopefulness, despair, humor, paranoia, and earnest defiance that pervades our present day experience. The work and artists represented are not necessarily providing concrete answers, but asking questions and presenting choices.



Abbas, a multi-talented artist who also dabbles in taxidermy, has a mounted messenger pigeon piece which is integral to his contribution to the show.  When attempting to navigate the red tape involved with shipping a piece of art such as this over international borders (Abbas currently resides in Canada), the artist and curator came to the conclusion that the papers, fees, etc, required to make this happen would exceed the cost of simply paying a local taxidermist to alter an already existing pigeon form, which you see above.  Below is the pigeon mounted by Abbas:







Pretty great job, I say.  Again, here is the pigeon I was to transform into the one mounted by Abbas:







The main difference between the two birds is the angle of the neck and head.  Also of note would be the eyes, which are black glass bulbs on the one I received but closed and detailed on the original.  Thirdly, I would have to reposition the feet.



Clearly I had my work cut out for me.



I began by wetting the areas in question to make them a wee bit more malleable.  Once I'd worked out the exact spot and angle of the cut, I went ahead.







This had better work.

Diamond Tooth Taxidermy


I needed to not only replace the head so it was arched back, but also turned to the side.  This proved more difficult than I'd anticipated, but I ploughed ahead.  Here it is, most of the way back on.  At this point I'd also began to rework the eyes.







The feathers were understandably a bit ruffled and confused as to where they were to lay after being turned about like that, so I let the whole thing dry with a compression sock on for 30 hours.  After that I inserted and glued, one by one, teeny feathers from the portion of neck I'd removed into any areas that needed filling.







I added more "skin" to make up the eyelids, after painting the pupils on, and voila:







Oh yes, and I repositioned the legs, which gave me a bit of grief but I showed them no mercy.







The show opened last Friday and is up until the 12th of February.  While I didn't make the opening and have yet to see the dupe in action, I intend to go this weekend and check it out.  I invite you to do the same, should you be in the Philly area!
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