Diamond Tooth Taxidermy

Exquisite Taxidermy Art and Design

© 2013 Diamond Tooth Taxidermy
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About Beth Beverly


I am a State and Federally licensed taxidermist who graduated from the Pocono Institute of Taxidermy in 2010 with high marks. I have a deep respect for this craft and those who strive to preserve it.

It is my pleasure to work on any trophy mount, be it a shoulder, life-size, rug, or fish.

I accept custom orders for fantasy mounts, wearables, and bridal hair pieces.

Sculptural mounts and hats are available for rental provided they are in stock at time of inquiry.

Contact me describing your wish and I will be delighted to make it so.


Diamond Tooth Taxidermy Blog:



I got your HANDS ON experience right here:


As I've mentioned here before, I'm getting more involved with workshops and group engagement in terms of taxidermy.  What has been a deligthfully solitary craft for me all these years is slowly morphing into a social experience as more people gain interest in this practice.  I've actually just finished my first week of private tutelage with a  talented and creative young man who completed his first pheasant mount from scratch under my watchful eye. 
It's exciting to see how may people want to peek behind the curtain and see what taxidermy is all about.  In Brooklyn, the Morbid Anatomy Library hosts a slew of various workshops and educational events ranging from how to mount your own squirrel to setting up your own beetle diorama.  I can now list my own specialty among the roster: How to create wearable taxidermy.
Here's a full description of the workshop:


Event

Wearable Taxidermy Workshop by Beth Beverly
Date: Saturday, July 27
Time: 12  6:30 PM
Price: $150
RSVP Email: diamondtoothtaxidermist(at)gmail.com
This class is part of The Morbid Anatomy Art Academy

Students will be provided with pre-skinned and tanned chicken hide elements (wings, tails, heads, etc) along with millinery hardware and all the glues, threads, chain, and miscellaneous decorative elements to create a one of a kind custom taxidermy headpiece.
Starting with the malleable hide parts, students will be instructed on how to manipulate, fill and and position the feathered sections while anchoring them to the metal hardware using foam mannequin heads (provided) for stability. Millinery accents like netting, crinoline, jewels and metal embellishments can then be added to complete the students' own personal design, finishing off the workshop with instruction on lining the inside and adding a personalized garment tag.
Students will leave with their new wearable piece of fashion taxidermy, along with printed out lesson sheets and sourcing info so that they may employ these new skills for life.



I've already got 6 full birds skinned, tanned and ready to head up to NY next month; I'm using my best and brightest specimen because I truly want to create a dazzling workshop for my students and make sure they take home something truly beautiful.  I even had a Polish Hen ( I rarely get those) but got greedy and decided to keep that one for myself.  Here is a hint at some of the colors/textures I'm offering that aren't Polish hens:




 A nice assortment, and I've still got loads more!  In fact, I'll be going up to the farm to collect some freezer treats from the boys at The Farmer's Husband early next month so who knows what stunning pieces I'll have!

I'm looking forward to this workshop and meeting the folks who are as enthusiastic as me over wearable bio art. I'm also eager to see what other creative minds come up with, left to their own devices.  There's still a few spots left if you are in or near Brooklyn on July 27 and would like your own custom made for you by you piece of wearable taxidermy!  Just email me through my website or go to Brown Paper Tickets to secure your place in class.

Millenery Boomerangs.

Some time ago I was fortunate enough to receive a box full of magnificent vintage hats from old college chum Rebecca Strzelec.  This was just weeks after embarking on my twenty4twenty project and I'd sent out a few of my hats with no response whatsoever.  Seeing this giant box of beautiful hats on my doorstep reminded me that everything, every intention you put out into the universe comes back to you , but rarely in a form you'd expect.



These pieces had been sitting in her home, I believe, for years, and once she arrived at the conclusion that she had no use for them they became mine.  All she asked in return was that three hats make it back to her: two for her daughter and one for her.



Let's start with mom:







I chose this base since it was just misting (dripping would be too much) with class and elegance.  Very proper, like my friend.



















For her child, there were two smaller hats.  This first one I bent the brim to give it a more formal feel but the actual material was so delicate that it proved quite challenging to work with.







I added miscellaneous feathers and sourced gems:















This base was much easier to work with.  Plus I have a huge sift spot in my heart for bonnets so it was a natural fun piece.







I added chicken wings, a chicken foot and switched out the white button for a pearlescent pink bead in the talon and on each side, plus a poof of white fox fur for good measure.































So that's that.  I was very touched to be given such a magnificent gift from Rebecca.  She is an amazing, talented and accomplished woman whom I am honored to even associate with.



Also I am short on words today because sometimes life beats the vocab out of you.  More soon.

Top of the Squirrel to you!

A few months back I was proposed with a fun and clever design for a commission piece.  The liaison between myself and the designer was a friend who I've done work for in the past.



And the individual who wanted this item?  A young man slated to start the seventh grade this Fall.  A talented and creative mind, no doubt, this little guy has no idea how much I appreciate getting projects like this.



Here are the sketches I was provided:











I was nervous about sourcing a boy's top hat at first, until I noticed that this kid is a size 7 & 3/8 which is a full-grown adult sized head. Must be all those big thoughts he's having.  I ordered the proper topper (I have yet to possess the facilities or training to make a top hat from scratch, which is why I hesitate to call myself a "milliner") and went about fitting a squirrel form into the proper position.  Here it is, broken into several pieces and pinned into place:







After getting the placement and angles of the bits and bobs all sorted out, I secured with glue, pins, wire, and slim wedges of foam inserted into gaps for reinforcement.  After that comes the clay to smooth things out.  I then had to determine the contact points at which the squirrel would meet the hat and anchor some wires at those spots:







Maneuvering the skin over this form, wires and all, proved a challenge but in the end came  out just peaches.  Here are shots of the finished product:











I recreated the sketch to the best of my ability; due to the squirrel's size it does occupy a tad more real estate on the hat itself but I think that's OK.















I'm actually quite proud of this red ribbon- I made that bow myself!







Also, this squirrel was a female!  Almost all the squirrels I have ever skinned were male; I just assumed they were the ones being brazen enough to get hit/killed/shot/etc.  I forget how this one perished; I think it was a fall from a tree or something but I almost wonder if she got shocked on an electric line because a teeny patch of her skin was bare of fur and the area surrounding is was slightly discolored.



















And that's hat!

Freshest Head and Neck Fruits from my Hand Labor

Last week the gorgeous and talented Pearl ( you've seen her beauty here, see her creations here: Pearl Bell ) braved the sweltering climes in my third floor studio along with photographer and all around hottie Jim Coughlin (blog here: Snap Bam Splat and follow him on Instagram too @jimsinspace ) to shoot my latest headgear.  I provided the champagne.



Behold!



The Pearl:







I blocked this green felt hat myself, and named it after Ms. Bell for the simple reason that wide brim hats remind me of her.  There's a taxidermy wing tucked into the brim and some of the feathers trail off on the side, complimenting the downward swoop of the hat.







I also incorporated a sparkly tennis bracelet from my mother's collection.







The Pomp:







Comprised of the very same chicken from the Pearl hat, this piece is a taxidermied mount dried to mimic the shape of a swooping pompadour.







The mount itself is affixed to a handmade millinery base that I lined with pink satin and blue lace trim, which serves as a point upon which the hat can be secured on the wearer's head with bobby pins or elastic.  I like to see it paired with a cage veil but it can also be worn alone.







The Frenchie:







A taxidermied wing is enmeshed into the ruffles of a vintage millinery base, a fun jaunty little number.







Secured to the wearer's head with an elastic band, it can provide hours of worry free dancing, drinking, laughing, etc.  Worn alone here it's a flirty little number but can be paired with a white cage veil for a stunning wedding piece.







The Carnival:







Named after a wild night in which this hat remained on my head for 8 straight hours of drinking, dancing, being chased by Mexican gangsters, etc,  this hat takes a licking and keeps....on your head.







Secured to the wearer's head with an elastic band, the focal point of this piece is a pair of deer antlers embellished with genuine Swarosvki set amethyst crystals that point dangerously close to the eye.  The base is an antique millinery piece upon which I have added a raccoon fur poof and some hand twisted crinoline.







The Bobby:







My obsession with visors is still going strong, this example being in a hand blocked blue felt cap with a taxidermy chicken swirled around to create a bird butt poof at the top.  The chicken is, of course, embellished with crystals.







Along with the practical purpose of visors reflecting glare, the not so secondary mystique element of a slightly veiled face cannot be denied.







Le Roth:







As it took shape, this hat started to channel a sort of David Lee Roth ala "California Girls" energy, but en peu more French.  A taxidermied rooster wing sits atop a vintage millinery base with a yellow visor.  The bird head is hollow, while the exterior is just dripping with crystals.  Take from that whatever symbolism you wish,







The Andrea:







My classic visor hat.  Raccoon fur lined with felt and embellished with a sweet little green velvet ribbon.  Perfect for eye sex across the slopes and a toasty tete.







The Duchess:







This hat is a mashup of several species: the base is an antique rabbit fur pillbox, and I added a yellow poof of gosling down along with assorted chicken, guinea hen and pheasant feathers.







Ideal for a post hunt dinner on the estate, or a stroll down the avenue with you best beagle.







The Ladyship:







I think this piece speaks for itself. I just adore it.  It commands respect and gives the wearer an air of dignified authority. The base itself was so stunning to begin with, all I could do was add to it.  So add I did- a patch of assorted feathers, some gold metal charms from my personal collection and a tassel I made from silk fringe.  For women only, no girls please.







 



 



El Gatador:







A super cute felt number, this is a seriously easy to wear piece that stays on the wearer's head thanks to an elastic band, and it extremely lightweight.  One of my favorites, it's made especially special with a swirl of black rooster on top and a repurposed (read: my old earcuff from '84) alligator charm serving as an anchor for a bouquet of turkey beard hairs.







Perfect for any occasion, in my opinion.







 



The Marie:







Inspired by my Maid of Honor, this is a very proper velvet halo with a taxidermy rooster wing and saddle affixed to one side and a generous amount of Swiss dot veiling.  If only I'd had this on my wedding day; she would've worn it perfectly.  It conveys class, stoicism and a tremendous amount of fun just below the surface.  For the gal who can conduct herself properly at an exclusive event and then share a cigarette in the alley with the staff five minutes later.







 



The Shannah:







Not for the faint of heart!  The centerpiece of this headdress is a mummified bunny corpse coated in clear lacquer and covered in gems.  He's holding chain reins and resting comfortable among the spider-like fur "arms" of this vintage mink millinery piece.  Can be worn alone or paired with a cage veil.







 



The Mearrah:







I was going for a flapper feel with this hat; again the base is a vintage millinery piece and I added a taxidermied wing plus miscellaneous feathers and gems.  Works great with slicked back hair or a curly mane.



 



 



The Isabella:







I wore the unfinished version of this to my opening at La Luz and it was a hit.  Seeing it finished, and on a model, it feels more like a tribute to the late Isabella Blow, hence the title.  It's a simple piece consisting of a taxidermied rooster dried in a shape which hugs the crown and points out at such an angle so as to keep simpletons at bay.



 



Foxy Fascinator:







A simple little ditty comprised of chicken feathers fanning out from a taxidermied fox nutsack.  Sorry to be crass but I quite enjoy the juxtaposition of something people tend to shy away from serving such a pretty purpose.  An excellent conversation piece.







 



Guinea Hen Necklace:



Taxidermied leg with fox fur poof, gold chains and an old charm from a church in Philadelphia.







Guinea Hen necklace with pearls:







Freak Mutant Rooster Leg Necklace:



That spur says it all.  Ideal for someone who really wants to thin the herd of idiots who talk to them daily. No canvassers will even try to get your attention when you're wearing this.







 



Jawbone continuous earrings:



Fun to wear, lightweight nad a nonstop conversation piece.











Jaw bone continuous chain earrings:



Same as above; the chain is aluminium so it's also very lightweight.











 



So that was an eyeful, right?  And there is still more in the works!  Please think in advance about your Fall pieces and order now, folks.



XOXO Diamond Tooth.

Hats Off!

 



This past Sunday brought sheets of rain,  thunderstorms and my lovely friend Pearl to Diamond Tooth Studios for a shoot.  Ms. Bell is more than just a pretty face, she's also a lifestyle and home enthusiast.  She can wave her magic wand over any home, wardrobe, or human and said item will emerge sparkling and wonderful.  Please check out her blog, 7pm.



Together with the talented and professional services of Diamond Tooth on-sote photographer, Jim Coughlin, we had a few flashy packed hours together.  He like to shoot, paint, spray, stencil, and make music.  Please check out all the wonderful things he does on Snap, Bam Splat!



 



I've been busy working with the materials from that load of vintage hats I received a few weeks back, mixing and matching the elements from each piece with other pieces from my studio alongside certain taxidermy ingredients that revealed themselves as an ideal match.  This Gothic Bridal Fascinator started out as a black cage veil with white fabric roses.  I dyed the roses a fade-into black and added two mounted wings from a fancy chicken.







 



 







I kept the original velvet ribbon and added some black fur.







Here is another bridal fascinator; none of these bridal pieces are white  as they are geared towards a less conventional woman who is looking for something unlike what she can find in traditional bridal boutiques. This results in a versatile piece that could be worn by the maid of honor or even the mother of the bride..or for an event that isn't even a wedding!







I used the blue veiling from an antique wide-brimmed blue hat (shown later in its reincarnate form down below) and attached it, with the wings of a fancy chicken, to a wire fascinator base.  The feathers are hand curled to compliment the wearer's hair.







 



This is my Blue Poof Quail Fascinator.  This quail has been worn in several ways, before I found the perfect base for it which is the vintage blue ostrich feather one you see below.  I switched the original blue veil out with an off white, Swiss-dot one from another vintage piece and added a strand of sea pearls around the quail to bring out the creaminess.  I think this piece would be perfect for a Winter wedding....or even Spring!







 



 







Behold the wide-brimmed blue hat I mentioned earlier.  It's a strong, beautiful piece of millinery that stands  on its own without a ton of bells and whistles so I simply added the mounted and embellished cape of a chicken, some pheasant feathers and a few pieces of antique hand-tatted lace, all meant to compliment the shape and motion of this piece.







 



 







Hair Doin'!







Next up is the duck wing fascinator which Pearl has worn before.  I very much enjoy manipulating crinoline/horsehair, and look forward to making more of these.







 



It's light and easy to wear, ideal for the individual who wants to express some fashion sense but isn't willing to compromise her comfort level.







 



Here is another bridal piece, this one crafted with the base of a vintage fasctinator which originally was a simple green bow.  I took the fabric off, rearranged it and added a green cage veil from another antique pice.  Then came the mounted wings of a chicken and vintage charm in center.







The two wings are firmly pressed together in a way that makes the feathers pop out on the opposite side, not unlike what your fingers do when you clasp you hands.







 



Hold on!







OK, perfect.  This is my beloved montera hat, embellished with a mounted chicken head  that has been encrusted with jewels. This hat generates a very healthy dose of attention and makes for an excellent conversation piece. Ole!







It also opens up some fun opportunities for various hair-dos.  I like twisted locks around and under it, but a side pony tail or a combed out fro would also work just as well.







The last piece of the shoot was another fascinator Pearl had worn before, crafted from an antique base with a delicate off white veil.  I added the wings from a chicken which had been source mid-molt, so the spiny veins of the feathers are exposed.  This made them ideal for stringing beautiful beads on; I got these marble and pearl beads from two vintage necklaces.  I also hand curled some of the feathers.







 







 



Not to be outdone, our house model demonstrated his ability to work a chapeau.







 



And that's a wrap!  For more info and pricing, please visit my website, Diamond Tooth Taxidermy, or my Etsy shop.



 



 

"We make good trade, John Dunbar"

 







That's what my dear old friend Erin was expressing to me last night when I presented her with her custom piece of fine taxidermic millinery.



Erin is a very talented stylist over at JuJu Salon in Philadelphia and fortunately for me, also one of my best friends.  Several months back we agreed to swap a hair coloring & a couple blowouts ( my ultimate indulgence!  Someday soon I'll be able to afford my weekly vice...) for a Diamond Tooth hat.  I was given instructions not to rush; she wanted me to take my time so her piece would be just right.







I held out just long enough for this green vintage hat to walk into my life which I knew immediately would suit her perfect.  Silly me; I didn't get any before pics but this hat in particular had significant crumple-age; after pressing and blocking it looked like an entirely new piece!  Once the millinery issues were straightened out  I added the squirrel portion.  From there its just a perfect storm of found objects and me being in the zone and loving what I'm doing....and trying not to get too carried away.







 



I brought the hat over to Erin last night and she was pleased as punch!  It fit her like  a dream too, I shall get some pictures of her wearing it shortly. I even got a surprise blow-out!



OK, that;s all the flexing my vocabulary has the energy for.  It's so hot in here and I just can't seem to find any more words. Take it away, Tom Tom Club:







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